Anthropogenic impositions upon land obscure persistent, muted presences existing in neglected spaces. Cobwebs and their remnants of animals ubiquitously hide chimera of secret conspiracies of resurrection, conjured speciations, and survival in the midst of destruction. The gathering of the tangible remains of remnants of animals and cobwebs present a delicately discernible and liminal space between existence, disintegration, and resilience: a space emblematic of girlhood survival that further serves as a locus for an intimate intercross yielding a resuscitation and becoming with animals. I align correlative affinities with these animals with efforts to protect myself and further resurrect myself through an evolution and conversion into a new hereafter species. With packing tape, I encapsulate debris from cobwebs with my own genetic material and then reconstruct and reconnect webs with stitches, embroidering with the intent of embedding my work with the work of the animals. The echoing embroidered lines of cobwebs mimic and confuse my work with theirs, offering a conjecture of the possibilities of the emergence of a new and distinct species upon the imagined animation of the work. Challenging and disrupting common ideas of what is sacred and what is forgotten while emblematically examining themes straddling ideas of veneration and secret invisibilities render multilayered narratives contemplating established definitions of death and life. I ponder ideas of discomposure, anxieties, and resentments that simmer beneath crumbling hierarchies while conjuring a new and mutinous arsenal of possibilities for personal survival. Beds, blankets, and pillows function as symbols of protection and comfort as I align myself with a sacred and symbiotic collaboration of survival with these animals. I am seeking to unsettle and challenge common perceptions and ideas of life, death, and survival while I aspire to penetrate and appeal to the conscience, sparking reassessments of existential concerns.